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Creating a simple, soft design for small and large pendants was the main idea behind Cecilie Manz' Caravaggio series. The curves passed through a number of shapes during the design process, but this version captures a feminine form. The shade (Ø 40 cm) is made of drawn steel and coated with smooth, high-gloss paint. The suspension technology is masculine in construction, creating the right counterbalance to the shade's feminine lines. The suspension assembly consists of curved steel rods and two pieces of turned brass coated in matt chrome. The depth of the shade prevents glare, no matter how high the pendant is hung. Caravaggio also features an opening at the top, which casts light upwards and illuminates both the suspension and cord. Caravaggio is characterised by direct lighting without glare. It also adds to the room's ambient light via the upward lighting from the pendant's top.
I really like the Caravaggio pendant for its sleek, sculptural silhouette and bold matte black finish, which lends it a modern, minimalist appeal. It works well in contemporary interiors, especially when paired with neutral palettes or monochrome schemes, but can also act as a statement piece against softer surroundings. Practical styling tips include hanging it over dining tables or kitchen islands for a focused pool of light or using a cluster of these pendants at different heights for visual interest. Its clean design makes it versatile, so it complements both old-industrial settings and smooth, modern spaces, adding a touch of understated sophistication.
Evan Carter
Flitch Interior Stylist
Height:
51.0cmWidth:
40.0cmDepth:
40.0cm